Persistence Wins Everything

I recently saw an interview with Ray Bradbury, one of my favorite science fiction writers.  ("The Martian Chronicles" is one of my favorite books of all time.)  He spoke about how to become a writer and his advice was simple.

WRITE EVERYDAY.

He began writing when he was 12 and from that moment on, no matter what he was doing he made sure he wrote something everyday.  Does that mean he was a genius writer at the age of 12 creating masterpieces?  NO!  It took years of writing everyday: he says at least 15 years before he even considered himself a decent writer - many more years after that did he think he was a good writer.

Even in his late 20's, Ray Bradbury still was not a "successful" professional writer, although he had sold some short stories.  Being a writer was something he worked at everyday, whether he was in the mood, felt like doing it, or if he had "more important" things to do.  Even after getting rejection letters and not getting published - he kept writing.

It's about persistence.  Trust me, I know how difficult it is to work that hard at something without any guarantee of success.  But, for actors it very important to continually work on your craft - everyday do something for your craft.

Working everyday is the only way you improve as an actor - and if you aren't moving forward then you are going backwards.  There is no standing still.

Don't Expect Perfection but Keep Working at It Anyway

At the Grammy Awards last night, Dave Grohl had a wonderful acceptance that is for important for any artist to hear:

Dave Grohl's Grammy Speech

The importance of working on your craft is for every form of art whether it be music, painting, or acting.  On NPR this Saturday I heard an interview with a perennial understudy in the opera world who after 22 years of work has finally gotten his chance to play the lead role in Siegfried at the Met.  Jay Hunter Morris said the past 22 years has been him improving his voice, lung capacity, and all the technical things an opera singer needs to learn everyday in baby steps.

Actors should be working on their craft in the same way: everyday and understanding that some days may be just baby steps that you can't hardly see.  I've heard it said that learning to be an actor is a 20 year process.  Everyday you learn something more about yourself, about your limits, about your triggers.  Learn how to read every nuance and behavior that someone is giving you.  But don't give up if it doesn't all come together in the first few years of training.  It will take years of work and eventually you will be in the right place at the right time like Jay Hunter Morris was when they called him up from being an understudy.

But with all that work perfection can't be the product you are looking for because it doesn't exist.  Art is not about perfection.  Like he says it's about what it is in your heart.  How it makes you feel.  As an actor, it is easy to go back and watch performances and criticize what you did do, what you had meant to do but didn't.  Being perfect is not your job, your job is to bring life and heart to whatever you are working on. 

I'll leave you with this wonderful Ira Glass quote for those of us starting out on this journey who aren't quite as perfect as we'd like to be:

I heart Ira

Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through. 

Keep working and fighting, guys!

Do you treat your career like an Athlete?

Actors and athletes may seem on the surface to have made opposite life choices to get to those careers, but deep down they are actually quite similar.

For one, if you want to be great at either of these careers you have to practice ... a lot.  Plus, there is a certain level of luck that goes alongside all that practice if you want to be a star athlete or a star actor.  The best college ball player ever can be sidelined by a bad injury and never go pro.  Some of the most talented actors are never at the right place at the right time to get that star-making role.

I recently heard a story on NPR about a baseball player who got drafted into the Minors.  He was getting paid to do what he loved and many actors will say that in itself would be a dream come true for them.  The ballplayer said that from the moment he got drafted he thought the call to go up to The Show (that's what they call the Majors if you believe "Bull Durham") would come at any moment.  Every once in a while, one of his teammates would get the call and he knew if they took that guy surely they were going to call him next.

Then years started to pass and he never got the call.  There are so many actors in Hollywood that have similar stories.  They watch their friends start booking and become successful.  They think why not me and know their big break is right around the corner.

Here is where the story splits.  The ballplayer eventually got too old and had to retire.  With most sports, the retirement age can be 30.  Actors get to keep going and many are just starting at 30.  It's one of the wonderful things about this profession: there is no age limit on success.  Examples of actors who found success later in life include Chris Cooper, Michael Emerson, Melissa Leo, and even Tom Hanks waited tables for most of his twenties.

What's so wonderful about that, is it gives you so much time to become a great actor.  They say you have to spend 10,000 hours working at something to become an expert.  That is approximately 3 hours a day, every day for ten years.  Actors can keep working at it for a lifetime, so just think how amazing you'll get to be.  It just takes work.

How many hours a day are you working on your craft?

How to Tackle those One-Liners.

Ask any actor and they will tell you the most difficult auditions they go on are for one line roles.  You see these on every TV show: the paramedics, nurses, waiters, receptionists with lines like, "Your table is right this way" or "The stab wound is in curtain two."

I went in for the role of "Assistant" on a TV show a few years back and the line was "Your dinner reservation is at 8."  At the audition, I walked into the room and said my line.  The casting director looked up at me and gave this direction: "Great.  Now say it like you're the assistant to a scientist."

What the hell does that mean?!  I mean, how would the assistant to a scientist say anything?

So, I turned around, took a breath, and just said the line again.  Did I say it like the assistant to a scientist?  I have no idea.

The problem with one-liners is that you don't have much to work with and how are you supposed to make yourself stand out with just one line?  A few weeks ago I went to a workshop with a casting associate who spent years casting a procedural drama that required a lot of your typical one-liner roles.  She had some great tips on tackling these roles.  Here are a few of them:

1. Don't over think it.  Generally, these roles are jobs and you do this job everyday.  It doesn't need to be dramatic.  Keep it simple.
2. Don't drag the line out with lots of unnecessary pauses.  I know it's a short line and you want to be seen for as long as possible, but it's more important to be truthful.
3. Give yourself a moment before you start the line.  You can turn or step into it.  This is a good moment for you to relax, but also practical because it gives the casting director time to find your name on her list so she can actually watch your audition.
4. Remember every part and line is important.  If it wasn't it wouldn't be in the script.  Put as much work into as you would any other audition.  And it's just one line, so please have it memorized.

Now that you've booked that one line role, what should you do?  Exactly what this guy did in his video, One Line on the Sopranos.  (I know I've posted this video before, but it's an awesome video and I'll take any excuse to watch it again.)

Being Okay with Being Ugly (or how to rock a gorilla suit)

Currently, I am performing in a play at Playhouse West called A Mixed Tape.   I spend almost the entirety of the play in a full Gorilla suit.  You may be thinking that's too bad for me that the audience doesn't get to see my face.  But the truth is that being in the costume gives me so much freedom that I have a ton of fun doing this play.  Plus, I don't have to worry about my hair and make-up before the show, so I'm not sitting with the other ladies fighting over plugs for flat irons.

I've always loved character work, when I get in a costume and develop traits that are different from my own, I am truly happy.  Now, even when I am doing a role that doesn't specifically call for a lot of character work, I still create character traits to give my performance that extra layer.  Creating a character always makes me feel more relaxed and free on stage.

What I don't understand are actors who are not willing to make themselves ugly when a role calls for it.  It's like they are scared we have such short memories that we'll forget they are actually beautiful.  Look, if you are supposed to be in the 1800's Old West, you have to accept that showers were not common and flat irons were not invented yet, so if you look perfectly made up and clean then it's kinda hard for the audience to buy that you are actually in the Old West.

Charlize Theron would never have won an Oscar if she worried about what she looked like playing Aileen in "Monster."  If you want to be really truthful in whatever part you are playing, you cannot be afraid to get a little dirty.  Sometimes a role calls for you to put away the curling iron and rock your frizzy natural hair, think how different Cameron Diaz would have been in "Being John Malkovich" without her frizziness.

As actors I know we all fret about what we look like.  We obsess over diets and exercise.  We bleach our teeth and our hair.  We are constantly trying to look like the perfect people we think Hollywood wants us to be, but when you do get an acting job don't forget why you are in this crazy business: to live truthfully under imaginary circumstances.

Don't shortchange your character or the audience by not being truthful with how your character looks.

Serious Actors Take Classes

In last week's post, Where is your Craft, I questioned how people could claim to be following their dream without working on their craft.  I wanted to follow-up on that and talk a little bit more in-depth about the importance of acting classes and why it's hard for me to take you seriously as an actor if you don't take classes.

I've said it before but it is worth repeating: LEARNING TO BE AN ACTOR IS A LIFELONG PROCESS!

Just because you've booked a few roles doesn't mean that you have no more to learn.  Doris Roberts at 80 still goes to her acting class every week and she's been in the business for 60 years.  From Doris Roberts' Interview with CBS:

"I go [to class] every Saturday morning, I went this morning! I keep learning. See, the important thing about getting older is not to settle. The minute you settle, it's like a disease: if you give into it, become a victim, then you're dished. So I don't settle."

Ted Danson spoke with the Washington Post about working with an acting coach for his role on "Damages."

"[Acting coach] Harold [Guskin] got me to stop being a nice actor. . . . There was an arrogance that he gave me to the acting process that was fun to play with."

Do you still think you have nothing to gain from taking classes or that they are a waste of money?


I found a school that works for me and that I enjoy in Playhouse West.  But, I know that everybody works differently and needs help in different areas so I suggest auditing many different classes to find the one that is right for you.  Don't use not liking a particular class or teacher as an excuse to not go to any classes.  There are so many acting classes in Los Angeles, I guarantee there is one for you.

Now, I want you to understand that I am not talking Casting Director workshops.  They may pretend to be classes, but we all know what they really are.  I am not going to weigh in on the fight over whether CD workshops are worthwhile or not, but one thing I do know is that they are not training.  So, please do not put workshops under training on your resume (and yes, I have seen that), if you do this I will immediately think less of you as an actor.

So, if you aren't taking classes ask yourself how serious you really are about pursuing this career.