Star for a Day

Okay, so maybe I wasn't the star, but I was a co-star for a day on the set of a pilot last week.  For the non-Hollywood peeps out there: being a co-star means that you have at least one line and usually no more than one scene on a TV show.  It doesn't have an exact definition, but if a guest star on CSI is the primary person accused of the crime with a full character arc and multiple scenes then the co-star is the actor who brings them the coffee in the interrogation room and says "Would you like cream and sugar?"

Co-stars often don't even have names and are usually defined by their occupation.  In the script it will simply say nurse or secretary or waiter.  I had the role of Flight Attendant with one line and one speech.  But, as with any job in Hollywood it is extremely competitive and difficult to get even a small role like this one.  Most actors will even tell you these roles are the hardest to audition for and here I wrote some hints on how to tackle these auditions.  One thing that I think helped me book this role was to make a very specific choice on how I felt about the character I was speaking to and decided to make the very boring, exposition type dialogue as a way to flirt with him.

I know an actress that spent a year getting to know the casting directors for her favorite show.  After that year of going to workshops and sending postcards she finally booked that much coveted co-star role.  The day after she shot it, she quit the business.  Decided it wasn't worth all the work she put into it.

Not every role is going to take as much work as your first one.  But, remember as an actor your day job is to network and audition because that is what you'll be doing much more often than actually getting to act.  If you can't enjoy that then you'll never be happy in this business.

So, now that I filmed a co-star role, was all the work worth it for me?  Yes, a million times over, yes.  I love being on set, I love the actors, and I love the crew.  I am never happier than when I get to act.  Even though I only had two lines, I worked on them the same way I would any script.  The best part was after we filmed the director gave me a hug and thanked me for bringing so much to such a small role.

In front of the door to my trailer.

Plus, it was nice to feel like star for a day with my own trailer.  (Okay, so it was only a 6th of a trailer, but I had a couch and a toilet that I didn't have to share.)  I even had my own stand-in, which made me laugh because I am perfectly happy standing on set while they adjust lights and such.  But, I think make-up was happy I wasn't under the lights sweating off my foundation.

Now, if I could just book some more!

Halfway through Pilot Season

So, how's your pilot season going?

Not great yet?  Yeah, me either.  That seems to be what I am hearing from all my actor friends.  We know there are pilots out there getting cast and none of us are getting auditions.

But, here's the good news:  It's not just us.  In the first month or two of pilot season the people testing for roles are offers and the ones who already have series regular or big movie credits. 

Don't get mad at your agents just yet.  If you aren't already a known entity to a casting department then generally your agent's pitching will have little affect getting you in any office at this point in time.  Much of casting is working of their lists of favorite actors right now.

So, when is your chance?  Don't worry it's coming.  Most people say that unknowns will start getting called into offices in March.  But, don't set yourself on only series regular roles. 

During this pilot season there are episodics still casting.  You may suddenly have a better chance getting in on a co-star or guest star because many actors are holding out for a pilot.

I hope you all a better end to your pilot season and I would love to hear when y'all get called in or when you book something!!!

A New Year and New Goals

New Years is fast approaching and people will start asking you what resolutions you made, like that question isn't the least bit nosy and intrusive.  My answers are the same as everyone else: to work out more, eat healthier, stop procrastinating, blah blah blah.  They are all good ideas but they lack specificity and for that reason I'm making the same resolutions every year.

One of my teachers at Playhouse West gives out a great goals assignment every year that helps with those pitfalls.  The first step is to create goals not resolutions.  Goals are something that have a finite end point and they are only goals if it is something that you can do on your own without the approval of someone else.

So, how do you create goals?

I start with my dreams.  You know those things that you want so bad and seem so far away that saying them out loud makes your stomach go into knots.  (I talked a bit about that here.)  This is one of my dreams: to become a series regular in a hit TV show.  The reason this is a dream and can't be a goal is because I cannot do it wholly on my own.  I need other people's approval to get cast and an audience to watch. 

The next step is to break your dream down into smaller dreams that lead to it.  In the case of getting a series regular role the steps before that would be booking some guest stars and before that would be some co-star roles.  That is a more manageable place to start, but it is still a dream and not a goal.

What goals would help me book some more co-star roles? 

• Always attending acting class unless I have an acting gig or am sick and I will always be working on a scene.  Perfecting my craft will make sure that when I get an audition I am 100% prepared to be my best.
• Communicate with my agent at least once a month about what I need to be doing to make it easier for them to pitch me.  Make sure they know what my dreams are so they can help me achieve them.
• Attend one workshop a month with the casting directors who work in the type of TV shows that cast my type.

These are just a few ideas of the type of goals you can make that are specific and are something you can achieve.  The best thing to do is write your goals down in a place you see everyday as a reminder and then revisit your goals a few times during the year to adjust them as you achieve your dreams.

Wishing everyone a wonderful New Year filled with success.  Keep Dreaming!

Should I Send a Postcard? (Or how do I advertise me?)

Every year at the Holiday time since I moved to LA, I send out cards to Casting Directors.  The first year out here I bought the giant box of cards at Costco, printed a few hundred postcards of my face, and got the Casting Director book at Sam French.  I sent a card to every CD listed in the book. 

Since then I have cut way back.  This year I am only sending cards to the CDs I have met over the past couple years.

So, are postcards or other cards worth sending?  Some people equate mailing postcards to driving from Los Angeles to San Diego and throwing a headshot out the window at every mile marker.  I don't necessarily agree with that, but I think mailing postcards is something you should do judiciously. 

Before mailing a postcard ask yourself, do I have something to say?  I don't consider I changed my hair cut or I got new headshots to be postcard mailing worthy.  If you are in a play or got a co-star coming up on CSI then that might be worth it to you. 

For me, I only like to send postcards to the people that already have an inkling of who I am.  The CD's who have called me in or who I've met at a workshop are always on the top of my list.  A few other top casting folks who I really, really, really want to meet might sneak in there as well.

I heard some wonderful insight about postcards from the casting director, Bonnie Gillespie.  She compared them to a billboard for Coke on the highway.  That billboard is not designed to make you immediately pull over and find the nearest gas station with Coke.  It's there to leave an impression so that the next time you're thirsty and shopping for a beverage you will want a Coke.

When CD's go through their mail, they will glance at the postcards for a split second and then throw them in the trash.  That's okay.  They don't need to save the postcard and tape it to their computer for you to make an impression.  But if you make enough impressions maybe the next time they are casting your type they will think of you.

Here are a couple more helpful hints about postcards.  Some CDs tell their interns to toss any postcards without a handwritten note on them.  So, even if you just throw on a "Thanks for reading this" and sign your name it may help get your postcard seen by the right people.  Another CD suggests putting them in a nice envelope so it looks like a card or something else they'd want to open.

Postcards should just be part of any plan to advertise yourself.  The most important thing is to keep doing stuff that is postcard worthy and keep creating!

TV is Back (or why I love Fall.)

Fall is officially here.  The DVR is cleaned out and prepared for the onslaught of new television shows.  I can't tell you how happy this makes me.  The magical light box in the living room that tells me stories is pretty much my favorite thing ever.

My love for television may be genetic.  I've had entire conversations with my mother and sister about Ross and Rachel, Rory and Lorelei, Jack and Kate, and Quinn and Finn.  Deeply etched into my memory are final episodes of shows in the same way as a lost loved one.  Oh yeah, at 10 years old I sobbed inconsolably when "Family Ties" went off the air.  And who didn't shed a tear when Sam ended "Cheers" for the final time with the line Sorry, we're closed?  Well, I did.  In fact, I am pretty sure that my love of television is a big part of why I chose to become an actor.

This may be why one of my biggest pet peeves is when actors say with that super pretentious attitude I don't watch TV.  It makes me want to scream why on earth are you in this business then?  I don't actually scream that because I am a polite person, but truthfully there are lots of good reasons for actors to watch TV shows.

If you are an actor in LA and want to work then chances are you are going to go out for television series co-star and guest star roles.  The best way to prepare yourself for these auditions is to watch the shows.  That way you'll know the tone and look of the show.  Plus, you should be familiar with the main characters.  Don't be the guy that goes into an audition for "Community" asking, who is Jeff Winger?

If it's an audition for a show that hasn't aired yet, you can figure out a lot about what a show will be  based on what channel it's on and knowing other shows written or produced by the same people.  For instance, the new Aaron Sorkin show will probably involve walking and talking - at a very fast pace.  By watching TV you'll also know what shows are likely to cast your type so you can target those Casting Directors.  Basically watching television is necessary research for any actor that wants to work.

Plus, we should all be supporting scripted television by watching it because we want to keep those jobs coming for all of us actors.  I've been through a few non-existent pilot seasons because of the strike and all the reality shows that came out of it.  Let's not go back to that.

If you are still confused about how awesome television is, just watch Jane Lynch's intro to the 2011 Emmys.

How to Tackle those One-Liners.

Ask any actor and they will tell you the most difficult auditions they go on are for one line roles.  You see these on every TV show: the paramedics, nurses, waiters, receptionists with lines like, "Your table is right this way" or "The stab wound is in curtain two."

I went in for the role of "Assistant" on a TV show a few years back and the line was "Your dinner reservation is at 8."  At the audition, I walked into the room and said my line.  The casting director looked up at me and gave this direction: "Great.  Now say it like you're the assistant to a scientist."

What the hell does that mean?!  I mean, how would the assistant to a scientist say anything?

So, I turned around, took a breath, and just said the line again.  Did I say it like the assistant to a scientist?  I have no idea.

The problem with one-liners is that you don't have much to work with and how are you supposed to make yourself stand out with just one line?  A few weeks ago I went to a workshop with a casting associate who spent years casting a procedural drama that required a lot of your typical one-liner roles.  She had some great tips on tackling these roles.  Here are a few of them:

1. Don't over think it.  Generally, these roles are jobs and you do this job everyday.  It doesn't need to be dramatic.  Keep it simple.
2. Don't drag the line out with lots of unnecessary pauses.  I know it's a short line and you want to be seen for as long as possible, but it's more important to be truthful.
3. Give yourself a moment before you start the line.  You can turn or step into it.  This is a good moment for you to relax, but also practical because it gives the casting director time to find your name on her list so she can actually watch your audition.
4. Remember every part and line is important.  If it wasn't it wouldn't be in the script.  Put as much work into as you would any other audition.  And it's just one line, so please have it memorized.

Now that you've booked that one line role, what should you do?  Exactly what this guy did in his video, One Line on the Sopranos.  (I know I've posted this video before, but it's an awesome video and I'll take any excuse to watch it again.)