What you can do in a Weekend

As you know from my last blog, What I Learned at the 72 Hour Film Festival, I made a movie last weekend for the Playhouse West 72 Hour Film Festival.  Over this past weekend, they screened all the films.

Our film, Grow A Pair, may not have won any awards, but I am extremely proud of what we made and I got lots of wonderful comments from the people who saw the films.  Plus, I am pretty sure we would have won Best Black Eye Created by a Non-Makeup Artist and Best Use of a Muddy Waters Song had those been a categories.

Today I wanted to share with you all the final product, so that you can see that it truly is possible to create a quality short film that tells a complete story in less than 72 hours.  Here it is:

Congratulations to everyone who made participated in this festival.  It's a cliche', but everyone who made a film is truly a winner.

One last thing, I want to give credit to the fabulous cast and crew of "Grow A Pair":
Directed by Marilyn Porayko
Written by Michelle Coyle, Christina Maria Davis, Somya von Eames
Cinematography by Nick Weidner
Edited by Brian Finifter
Cast:
Alex Aquino
Michelle Coyle
Christina Maria Davis
Nat Dixon
Somya von Eames
AJ Eloy
Jamie Israel
Jermaine Johnson
Elyte Salna

Thanks, y'all!!!

What I learned during the 72 Hour Film Festival.

This weekend I worked with a group to put together a movie for the Playhouse West 72 Hour Film Festival.  We were given a synopsis on Friday and had the weekend to write, direct, and edit the movie.  Here is what we made: Grow a Pair.

Here are some of the lessons I learned:

1. You can make a film for less than $100.
2. Don't Piss Off Your Editor: Make sure you always, always, always slate and that you can see the whole slate in the shot.
3. Even if you think you will never in a million years use the sound from a shot, just go ahead and record sound anyways.
4. Syncing sound sucks.  If you have $150 to spare get PluralEyes.  Trust me.
5. If you can use the ambient light, do it.  You can't imagine how much time you save not setting up lights.
6. High heel platform shoes and wood floors make for major sound issues.
7. Zyrtec is a necessity if you have cats on set.  Allergies can sneak up on cast members.
8. Office roller chairs make terrible dollies.
9. If your movie needs to have a maximum running time of 5 minutes 10 seconds, better to err on the side of a shorter than 5 page script.
10. Generally, a crew of five is all you need unless you are filming a car chase or building implosion.  More people than that can get in the way.
11. Don't be too precious with your script.  Film is a collaboration and be open to everyone, you never know where great ideas will come from.
12. The next time you think you don't have the time to make a film, remember you just did one in a weekend.

I am so very proud of the little film we put together.  A shout out to everyone who came out to play with us this weekend.  Great job, everyone!

How many times can you face rejection and still keep going?

Recently, I read an article about how Kathryn Stockett's novel "The Help" was rejected 60 times by publishers before finally being bought by Amy Einhorn Books.  She never gave up, even at rejection 59 she kept pushing. 

Not to take anything away from her amazing resilience and perseverance, but most of us actors face this amount of rejection or more in any given year.

Mark Ruffalo went on 800 auditions before someone finally said yes to him.  That's right he had over 800 rejections and still kept on trying.  Finally, his persistence paid off and now he is not only one of the most talented actors out there but also very successful.

When I first moved to Los Angeles, I had friends who thought I would try this for a bit and when it didn't work out just go back home and get a regular job.  Some still ask, "when are you coming home?"  The answer is: I'm not.

After Melissa Leo was let go from her breakthrough role on "Homicide: Life on the Streets" she didn't book another part for a few years.  If she had taken that as a sign that she needed to give up and go home she wouldn't have an Oscar today.

Actors have multiple opportunities for rejection every day from your agent's submission on a breakdown to the preread to the call back to the studio test.  For every actor you see on an episode of CSI think of how many actors were rejected for that part. 

Why do we keep putting ourselves through so much rejection?

Because someone has to get the part and there will be that moment where you are the right person at the right place at the right time and the part will be yours.

On the days you feel like you can't face another rejection those are the days you have to push the hardest.  So, keep on pushing guys!

The Money Trap

You may have noticed in a few of my previous blogs, such as Serious Actors Take Classes, that I really dislike lazy actors.  But, I know there are other reasons why actors may not be taking classes or be prepared for their auditions.  Sometimes life gets in the way. 

One thing that always pops up is money or the lack of it.  The rent and bills are always there needing to be paid and the truth is that you won't audition well if you're worried about how you're going to eat this week.  You need money and most of you are not making enough from your acting career alone. 

The number one solution to this problem would be to find a sugar daddy/momma.  But, for those of us who don't have the ... um ... assets required to get a sugar-something we are stuck having to find a survival job.  

Then life happens - your car breaks down or you get sick and suddenly that survival job you got so you could go to auditions and classes gets in the way of doing those very things.  You've lost sight of why you even came to LA in the first place and instead of acting you are living your life shift to shift in a crappy job you probably could be doing back home.  You've become too busy living whatever life you've built for yourself instead of pursuing your dream. 

Not long ago I went to a Q&A with the cast of The Office.  John Krasinski talked about his life as a struggling actor in NYC.  He said he would always take any acting opportunity offered to him, whether it be a film or a staged reading or a play, no matter what, even if it meant walking out in the middle of a restaurant shift.  If they fired him he would just find another job.  It sounds harsh but I think he had his priorities right.

I know you need money to live and that jobs are hard to find right now.  But, you have to prioritize what's important.  Money is important, but in my experience you can survive on less than you think.  Don't get stuck defined by your survival job because you're so busy working that you've forgotten to follow your dreams.
  

Being Okay with Being Ugly (or how to rock a gorilla suit)

Currently, I am performing in a play at Playhouse West called A Mixed Tape.   I spend almost the entirety of the play in a full Gorilla suit.  You may be thinking that's too bad for me that the audience doesn't get to see my face.  But the truth is that being in the costume gives me so much freedom that I have a ton of fun doing this play.  Plus, I don't have to worry about my hair and make-up before the show, so I'm not sitting with the other ladies fighting over plugs for flat irons.

I've always loved character work, when I get in a costume and develop traits that are different from my own, I am truly happy.  Now, even when I am doing a role that doesn't specifically call for a lot of character work, I still create character traits to give my performance that extra layer.  Creating a character always makes me feel more relaxed and free on stage.

What I don't understand are actors who are not willing to make themselves ugly when a role calls for it.  It's like they are scared we have such short memories that we'll forget they are actually beautiful.  Look, if you are supposed to be in the 1800's Old West, you have to accept that showers were not common and flat irons were not invented yet, so if you look perfectly made up and clean then it's kinda hard for the audience to buy that you are actually in the Old West.

Charlize Theron would never have won an Oscar if she worried about what she looked like playing Aileen in "Monster."  If you want to be really truthful in whatever part you are playing, you cannot be afraid to get a little dirty.  Sometimes a role calls for you to put away the curling iron and rock your frizzy natural hair, think how different Cameron Diaz would have been in "Being John Malkovich" without her frizziness.

As actors I know we all fret about what we look like.  We obsess over diets and exercise.  We bleach our teeth and our hair.  We are constantly trying to look like the perfect people we think Hollywood wants us to be, but when you do get an acting job don't forget why you are in this crazy business: to live truthfully under imaginary circumstances.

Don't shortchange your character or the audience by not being truthful with how your character looks.